Supreme Court Justice Ketanji Brown Jackson sat in the audience of the 68th Annual Grammy Awards last weekend as performer after performer turned the ceremony into a rally against U.S. Immigration and Customs Enforcement.
She was reportedly smiling and applauding throughout the show — an evening that featured acceptance speeches denouncing immigration law, pins reading "ICE OUT," and a standing ovation for open defiance of federal enforcement.
Jackson was nominated for Best Audiobook, Narration, and Storytelling for her memoir Lovely One, according to Just the News. She didn't win. The Dalai Lama did. But what she did do — attend, sit front and center with her husband, and participate visibly in an event saturated with political messaging — has raised pointed questions about judicial impartiality that she has so far declined to answer.
The Grammys have never been a bastion of political restraint, but last weekend's ceremony dispensed with even the pretense of subtlety. Puerto Rican singer Bad Bunny, accepting the award for Best Música Urbana Album, opened with this:
"Before I say thanks to God, I'm going to say, ICE out."
The audience gave him a standing ovation.
Billie Eilish used her time at the microphone to deliver a different kind of message:
"I feel so honored every time I get to be in this room. As grateful as I feel, I honestly don't feel like I need to say anything but that no one is illegal on stolen land."
Meanwhile, performers Joni Mitchell, Brandi Carlile, and Justin Bieber were all seen wearing pins that read "ICE OUT." The theme wasn't incidental. It was the event's throughline — a coordinated, unmistakable political statement against federal immigration enforcement.
And in the middle of it all, a sitting Supreme Court Justice.
There is no rule barring justices from attending award shows. There is no statute that says a nominee for Best Audiobook must skip the ceremony if the host cracks political jokes or the performers wear protest pins. But the Supreme Court doesn't operate on the bare minimum of what's technically permissible. It operates — or it's supposed to — on the appearance of impartiality. That standard exists precisely for moments like this.
New York Post columnist Miranda Devine argued that Jackson's visible presence at the ceremony, combined with the performers' political messaging, could raise legitimate questions about her impartiality — particularly with immigration-related cases pending before the Court. The argument isn't that Jackson endorsed any specific statement from the stage. It's that her enthusiastic participation in an event defined by one political message creates a reasonable perception of alignment.
Viral clips from the evening showed Jackson clapping during her nomination announcement. None specifically captured her responding to the anti-ICE statements. But that distinction, while worth noting, doesn't resolve the underlying problem. She wasn't ambushed by political content at a music event. The entire ceremony was drenched in it. She stayed. She smiled. She applauded.
Imagine for a moment a conservative justice attending a nationally televised event where speaker after speaker denounced, say, abortion or gun control — wearing pins, giving speeches, earning standing ovations. The calls for recusal would be deafening before the credits rolled. Every legal commentator on cable news would frame it as a constitutional crisis. The double standard isn't subtle. It's structural.
Eilish's remark deserves a moment of its own, because it captures something important about the current state of progressive rhetoric on immigration. The phrase "no one is illegal on stolen land" isn't a legal argument. It isn't even really a moral one. It's a bumper sticker that collapses two entirely separate debates — immigration enforcement and indigenous land claims — into a single slogan designed to make any enforcement of any border seem inherently unjust.
It's also a line that, taken to its logical conclusion, invalidates the authority of every federal institution in the country — including the Supreme Court on which Jackson sits. That's the kind of ideological territory a justice should want distance from, not proximity to.
Tea Party Patriots founder Jenny Beth Martin didn't mince words in a post on X:
"Kentanji Brown Jackson has been a disgrace to the Supreme Court, and her latest appearance at the Grammy's shows her loyalty is to the liberal elite, not the law. She should stick to audio books."
Martin's tone was sharp, but her underlying point landed with a wide audience: a Supreme Court Justice's presence at a politically charged spectacle isn't neutral, no matter how it's spun. Conservatives across social media echoed the concern — not because attending an award show is inherently disqualifying, but because the context made neutrality impossible.
The Supreme Court derives its legitimacy from the perception that its members rule on law, not vibes. That perception is fragile. It requires active maintenance — the deliberate avoidance of situations that could suggest a justice has already made up her mind on the questions before her.
Immigration enforcement is not an abstract policy debate. It is an active, contested legal battleground. Cases involving ICE authority, deportation procedures, and executive enforcement power cycle through the federal courts constantly. Some will reach the Supreme Court. Some may already be on the docket. For a sitting justice to attend — and visibly enjoy — an event organized around the premise that ICE should be abolished is, at minimum, a failure of judgment.
Jackson offered no public statement about the evening's political content. No clarification. No distancing. The silence is its own statement.
This isn't really about one award show. It's about a growing comfort among progressive-aligned institutions — and now, apparently, members of the judiciary — with treating opposition to immigration enforcement as a cultural consensus rather than a political position. When Bad Bunny says "ICE out" and gets a standing ovation, that's entertainment exercising its right to be political. When a Supreme Court Justice is in the room applauding, that's something else entirely.
The left has spent years insisting that the Court's legitimacy depends on public trust, that justices must avoid even the appearance of partisanship. They said it about Clarence Thomas attending conservative events. They said it about Samuel Alito's flag. They built entire news cycles around it.
Now a liberal justice sits beaming in the audience while millionaire performers chant for the abolition of a federal law enforcement agency — and the standard suddenly doesn't apply.
The rules never change. They just stop mattering when the right people break them.
